Departures · 12 schools · 4 lines
You stood there. Here’s the poster.
Twelve schools, painted from your own travel photograph
| Departs | School | Line | Plat. |
|---|---|---|---|
| 19:25 | Alpine Lithograph | The Parks | 3 |
| 19:29 | Big Sky | The Railway | 1 |
| 19:30 | Riviera Gouache | The Riviera | 4 |
| 19:31 | Coast Line | The Railway | 1 |
| 19:32 | Speed Line | The Railway | 1 |
| 19:34 | Grand Saloon | The Liner | 2 |
| 19:35 | Ocean Deco | The Liner | 2 |
| 19:35 | Woodblock | The Parks | 3 |
| 19:36 | Italian Modern | The Riviera | 4 |
| 19:39 | Park Service | The Parks | 3 |
| 19:55 | Mediterranean | The Riviera | 4 |
| 19:58 | Jet Age | The Liner | 2 |
The engine
Bring your place
Your photograph, painted by the schools that sold travel. The quay stays your quay: the same houses, the same headland, the light from the side it fell on that afternoon. Only the way it’s painted changes.
Some renders miss. A tower leans, a harbour loses a house. That’s why looking is free, and why we only print the one you chose.
Coast Line 1931 · departs 19:31
Your coast, as the 1931 railway sold it
Four passes on the house. A pass paints your place twice: the poster and the postcard. Your photograph goes to the engine twice, once per shape, and is not kept. No face is painted large: people in the view become small figures. No airline, railway, ship or hotel name or mark is ever painted in.
Coast Line 1931
A sample place, painted by the same call your photograph gets. Yours replaces it.
The platforms
Four lines, twelve schools
Every school is shown on the same two places, Harbour Town and Lake Village, so you can watch the school change and the place stay put. Hover a sheet to see the other one.
The Railway
The holiday lines of 1925 to 1936: flat planes, speed lines, crayon skies.
The Liner
Ocean-liner Deco and the airline gouache that replaced it.
The Parks
The park-service silkscreen, the Swiss lithograph and the Japanese travel print.
The Riviera
Gouache noon, Italian modern planes and the Mediterranean of 1955.
Same pass, wider
The postcard comes too
Every pass paints your place twice: the upright poster and a wide postcard, three by two, from the same photograph. The postcard hangs over a sofa. Three of them, dealt fresh for every visitor.
Three of eighty-eight. Every style has its still, and the toggle above the picker renders yours.
The itinerary
Photograph in, poster out
- One photograph of a place. A street, a harbour, a coast, a skyline, a view from a window. Phone photos are fine. People in it become small figures; a photograph with no place in it is refused before anything is counted.
- One school. The recipe that painted the sample places on the wall is run on yours. The prompt is built on the server, so what comes back is the school you chose.
- Twenty to sixty seconds. The poster lands at 1024 × 1536 and the postcard at 1536 × 1024. Keep it as a file, or buy it as a print up to 40 × 60″, rebuilt at print resolution the moment you pay.
- The name of the place. The engine paints no lettering, so the type desk sets it: the place, one line, a year, in a face chosen for the school. A company or carrier name is the one thing it refuses.
Prints and sizes
Hang It Large
The old posters were made to be read across a concourse, so they hold up at size. Enhanced matte, Hahnemühle Photo Rag, or canvas on a deep stretcher bar, shipped to 121 countries from the nearest print house at a flat postage set from the printer’s own quotes.
- What you see is what prints
- The place name set in the school’s type
- An hour to cancel, refunded before it prints
Arrivals
Then it comes home
Paper, canvas, or edge to edge across a sweatshirt. It’s the same render at print resolution, and every render you kept waits on your wall, so ordering one again is a single click: no second upload, no second render.
